Per request of our UI design chief, the tracks from Standard Recording
(Advanced Output) are moved below the audio encoder field.
Additionally, for consistency with Simple output, the video encoder
field is moved above the audio encoder (suggestion from Rodney).
Signed-off-by: pkv <pkv@obsproject.com>
This adds support for multiple audio tracks in Simple Output for
recordings.
This is enabled for all quality presets (including "Lossless") except
"Same as Stream".
This is also enabled for the Replay Buffer.
An exception is made for flv recording format since it only allows a
single audio track.
The recorded track (and streaming track) is then Track 1 as before.
Signed-off-by: pkv <pkv@obsproject.com>
Currently, Qt's User Interface Compiler (UIC) emits a warning about the
tabstop assignment for horizontalLayout_sdrPaperWhite, which is a
QLayout rather than a QWidget. Remove the tabstop assignment to fix the
warning.
- The buttons in the accessibility settings were a fixed height, so
they would be rendered in a undesirable way with the Yami theme.
- Also fixes clear button sizing issues in hotkeys sections
Some languages such as Spanish or Brazilian Portuguese have longer
words that make the sidebar scroll. Unfortunately Qt reports a rather
large minimum size for the sidebar, so simply removing the maximum
size is not an option.
Increase maximum width of the sidebar to 180px.
This shows distance between sides of preview and edges of sources.
This will allow users to more easily align sources.
Co-authored-by: Palakis <contact@slepin.fr>
- Adds frames around certain elements for a better element hierarchy
- Moves the scroll areas into the tabs themselves
- Hides stacked widgets that aren't visible to prevent scrolling of invisible content
This change introduces an accessibility menu to settings, along with
options for overriding the colors used by OBS in the mixer and in the
preview to be more color blind friendly than the options provided by the
current theme.
This feature is meant to reduce maximum audio buffering and turn off
dynamic buffering mode. This allows the lowest possible consistent
latency for audio buffering, which is useful for the decklink and NDI
outputs which cannot rely on audio timestamps for synchronization.
This can have a negative effect of making audio segments (partial or in
full) cut out. So audio glitching or audio loss can occur if this is
enabled.
Certain services have custom server lits handling which I had forgotten
about, so although it would have been nice to have this refactor, we'll
have to live with relying on the plugin properties object directly for a
while.
This also reverts obsproject/obs-studio#6530 and
obsproject/obs-studio#6683 because that change depended on this
problematic refactor code.
This reverts commits:
f2e6122881,
bc80d0ca95,
050a29da1a,
22ffc04f73,
275e510aad,
2fa5ffe4df.
Adds the Apple Silicon hardware encoder as a simple mode option. For
recordings this only requires being on Apple Silicon (since we use the
Constant Quality setting), while for streaming it requires the user to
be on macOS 13 or newer (since we're using CBR).
This option regularly confuses users, who accidentally select it and
then ask why they have hundreds of 2-4 second video clips in their
output folder. HLS output format to file is a pretty niche use case,
so let's keep it in advanced mode only.
HLG output uses MovieLabs-recommended procedure.
- If peak luminance is greater than 1000, use maxRGB EETF to 1000.
- Otherwise, don't tonemap.
- Then use normal HLG conversion procedure with gamma 1.2 (1000 nits).
The original PR was made with time specified in seconds because it was
useful to debug the behavior. For production, assuming most users want
to specify 10 minutes or more, the time should be specified in minutes.
Qt Creator automatically adjusts these files when opened. Rather than
contributors having to manually undo these changes, just apply them
directly into the repository.
