Merge pull request #1543 from rgwan/master

locale: Fixed some ugly translation in Chinese locale
This commit is contained in:
Tres Finocchiaro
2015-01-02 14:08:11 -05:00

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@@ -382,7 +382,7 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
</message>
<message>
<source>Click here and the values from the clipboard will be pasted at the first visible measure.</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
<message>
<source>Automation Editor - no pattern</source>
@@ -682,19 +682,19 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
<name>DualFilterControls</name>
<message>
<source>Filter 1 enabled</source>
<translation> 1 </translation>
<translation> 1 </translation>
</message>
<message>
<source>Filter 1 type</source>
<translation> 1 </translation>
<translation> 1 </translation>
</message>
<message>
<source>Cutoff 1 frequency</source>
<translation> 1 </translation>
<translation> 1 </translation>
</message>
<message>
<source>Q/Resonance 1</source>
<translation type="unfinished"></translation>
<translation> 1 Q值</translation>
</message>
<message>
<source>Gain 1</source>
@@ -702,23 +702,23 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
</message>
<message>
<source>Mix</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
<message>
<source>Filter 2 enabled</source>
<translation> 2</translation>
<translation> 2 </translation>
</message>
<message>
<source>Filter 2 type</source>
<translation> 2 </translation>
<translation> 2 </translation>
</message>
<message>
<source>Cutoff 2 frequency</source>
<translation> 2 </translation>
<translation> 2 </translation>
</message>
<message>
<source>Q/Resonance 2</source>
<translation type="unfinished"></translation>
<translation> 2 Q值</translation>
</message>
<message>
<source>Gain 2</source>
@@ -754,31 +754,31 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
</message>
<message>
<source>2x LowPass</source>
<translation type="unfinished"></translation>
<translation>2 </translation>
</message>
<message>
<source>RC LowPass 12dB</source>
<translation type="unfinished"></translation>
<translation>RC (12dB)</translation>
</message>
<message>
<source>RC BandPass 12dB</source>
<translation type="unfinished"></translation>
<translation>RC (12dB)</translation>
</message>
<message>
<source>RC HighPass 12dB</source>
<translation type="unfinished"></translation>
<translation>RC (12dB)</translation>
</message>
<message>
<source>RC LowPass 24dB</source>
<translation type="unfinished"></translation>
<translation>RC (24dB)</translation>
</message>
<message>
<source>RC BandPass 24dB</source>
<translation type="unfinished"></translation>
<translation>RC (24dB)</translation>
</message>
<message>
<source>RC HighPass 24dB</source>
<translation type="unfinished"></translation>
<translation>RC (24dB)</translation>
</message>
<message>
<source>Vocal Formant Filter</source>
@@ -849,7 +849,7 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
</message>
<message>
<source>Wet Level:</source>
<translation type="unfinished">湿</translation>
<translation></translation>
</message>
<message>
<source>The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output.</source>
@@ -865,7 +865,7 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
</message>
<message>
<source>The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects.</source>
<translation type="unfinished"></translation>
<translation>CPU占用率但是可能导致延迟或混响产生撕裂</translation>
</message>
<message>
<source>GATE</source>
@@ -877,11 +877,11 @@ Jeff Bai邮箱jeffbaichina@gmail.com</translation>
</message>
<message>
<source>The Gate knob controls the signal level that is considered to be &apos;silence&apos; while deciding when to stop processing signals.</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
<message>
<source>Controls</source>
<translation></translation>
<translation></translation>
</message>
<message>
<source>Effect plugins function as a chained series of effects where the signal will be processed from top to bottom.
@@ -924,7 +924,7 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Attack</source>
<translation></translation>
<translation></translation>
</message>
<message>
<source>Hold</source>
@@ -940,7 +940,7 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Release</source>
<translation></translation>
<translation></translation>
</message>
<message>
<source>Modulation</source>
@@ -952,7 +952,7 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>LFO Attack</source>
<translation>LFO attack</translation>
<translation>LFO </translation>
</message>
<message>
<source>LFO speed</source>
@@ -968,11 +968,11 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Freq x 100</source>
<translation type="unfinished"></translation>
<translation> x 100</translation>
</message>
<message>
<source>Modulate Env-Amount</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
</context>
<context>
@@ -983,11 +983,11 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Predelay:</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
<message>
<source>Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.</source>
<translation type="unfinished"></translation>
<translation>使</translation>
</message>
<message>
<source>ATT</source>
@@ -995,15 +995,15 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Attack:</source>
<translation type="unfinished"></translation>
<translation type="unfinished"></translation>
</message>
<message>
<source>Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.</source>
<translation type="unfinished">(ADSR Attack)</translation>
<translation>使</translation>
</message>
<message>
<source>HOLD</source>
<translation>HOLD</translation>
<translation></translation>
</message>
<message>
<source>Hold:</source>
@@ -1011,43 +1011,43 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.</source>
<translation type="unfinished"></translation>
<translation>使</translation>
</message>
<message>
<source>DEC</source>
<translation>DEC</translation>
<translation></translation>
</message>
<message>
<source>Decay:</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
<message>
<source>Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.</source>
<translation type="unfinished">(ADSR Decay)</translation>
<translation>使</translation>
</message>
<message>
<source>SUST</source>
<translation>SUST</translation>
<translation></translation>
</message>
<message>
<source>Sustain:</source>
<translation type="unfinished"></translation>
<translation type="unfinished"></translation>
</message>
<message>
<source>Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.</source>
<translation type="unfinished">(ADSR Sustain)</translation>
<translation>使</translation>
</message>
<message>
<source>REL</source>
<translation type="unfinished">REL</translation>
<translation></translation>
</message>
<message>
<source>Release:</source>
<translation type="unfinished">退</translation>
<translation></translation>
</message>
<message>
<source>Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.</source>
<translation type="unfinished">(ADSR Release)</translation>
<translation>使</translation>
</message>
<message>
<source>AMT</source>
@@ -1055,15 +1055,15 @@ Right clicking will bring up a context menu where you can change the order in wh
</message>
<message>
<source>Modulation amount:</source>
<translation type="unfinished"></translation>
<translation></translation>
</message>
<message>
<source>Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.</source>
<translation type="unfinished"></translation>
<translation>使LFO对此包络的调制量</translation>
</message>
<message>
<source>LFO predelay:</source>
<translation type="unfinished"></translation>
<translation>LFO </translation>
</message>
<message>
<source>Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.</source>